Friday, November 25, 2011
Wednesday, November 23, 2011
Factory Girl (Unrated)
- (Drama) "Factory Girl" tells the story of the rise and fall of the original "IT GIRL" Edie Sedgwick. When Edie meets famed artist Andy Warhol, she is thrust into a life of glamour, parties and ultimately tragedy. Format: DVD MOVIE Genre:Â DRAMA Rating:Â NR Age:Â 796019804943 UPC:Â 796019804943 Manufacturer No:Â 80494
Girl on the Bridge
- Daniel Auteuil and sexy Vanessa Paradis charm in this funny and intriguing twist on Boy Meets Girl. A beautiful waif (Paradis) is prepared to leap to her death in the Seine but is rescued from her grim fate by a raffish carnival knife thrower (Auteuil, in a performance that won him a Cesar Award for Best Actor). Lovely, quirky, winsome and erotic, this fairytale vision from director Patrice Lecont
The Vampire's Assistant (Cirque du Freak, Book 2)
- ISBN13: 9780316606844
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Hotel Atlantico - Movie Poster - 27 x 40 Inch (69 x 102 cm)
- You are looking at a great poster.
- This poster measures approx. 27 x 40.
- Rolled and shipped in a sturdy tube.
- This poster is from Hotel Atlantico (2009)
Bra Boys
- Are Sydney's Bra Boys a violent gang or just a loyal bunch of surfers? This documentary narrated by Russell Crowe (AMERICAN GANGSTER) explores this underground culture from the inside courtesy of writer-director-producer Sunny Abberton. The filmmaker and his three brothers--Koby, Jai, and Dakota--lie at the heart of this engrossing true story about some of Australia's most notorious people
struggle faced by its youth, the notorious surf gang known as the Bra Boys.
Featuring Koby, Sunny and Jai Abberton and narrated by Russell Crowe, the film follows their success in professional big
wave surfing and explores their reputation for hard partying and rough justice. The film touches on the Bra Boys running
battle with authorities and shows their reliance on one another! to survive in a society in which they are displaced.
Tuesday, November 22, 2011
The Deep End of the Ocean
- Michelle Pfeiffer, Whoopi Goldberg, High School Reunion, Treat Williams, Jonathan Jackson, Cory Buck
Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.
"Riveting . . . twists that will spin you arou! nd." --Newsweek
"A drama with the tension of a thriller that moves deeply into the emotional territory of family ties." --People
"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a j! ournalist and compassion of someone who has seemingly been th! ere. Int ernational publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ"the disappearance of a childâ"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old B! en Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ"the disappearance of a childâ"as it explores a family's struggle to en! dure, even against extraordinary odds. Filled with compassion,! humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Elmer Bernstein's moody piano complemented by an alternately somber and lighthearted symphony is the musical equivalent to boilerplate. So many scores contain these same properties that one is tempted to overlook the beautiful orchestration and just fault the composer for being too unoriginal. In keeping with the film's story of family dysfunction and an abducted child, Bernstein uses his instruments to stress what he calls "childhood memories," accented by a competent fusion of harps, bells, and often skip-happy arrangements intended to be unobtrusive. A departure from the humdrum side of soundtrack art it is not, but Bernstein deserves kudos for opting for traditional instruments (instead of a synthesizer) to complement this sensitive story of the "delicate balance" in human relationships. --Joseph LanzaBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery w! hile at the same time not being too flaccid or understated. Fo! r the mo st part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry RenshawDEEP END OF THE OCEAN - DVD MovieBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological ! parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a! stretch, but she makes it work. All in all, a decent three-ha! nky movi e in the vein of Ordinary People. --Jerry Renshaw