Friday, November 25, 2011

Giuliani Time

Wednesday, November 23, 2011

Factory Girl (Unrated)

  • (Drama) "Factory Girl" tells the story of the rise and fall of the original "IT GIRL" Edie Sedgwick. When Edie meets famed artist Andy Warhol, she is thrust into a life of glamour, parties and ultimately tragedy. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 796019804943 UPC: 796019804943 Manufacturer No: 80494
(Drama) "Factory Girl" tells the story of the rise and fall of the original "IT GIRL" Edie Sedgwick. When Edie meets famed artist Andy Warhol, she is thrust into a life of glamour, parties and ultimately…tragedy.The lovely face of Sienna Miller fills in for luminous but tragic 1960s icon Edie Sedgwick, the child of wealth and privilege who found brief delight but eventual destruction in the fabled Factory of Pop artist Andy Warhol (Guy Pearce). Factory Girl begins with Sedgwick as a naive art student who comes to New York City seeking freedom from her troubled family, j! ust as Warhol was surrounding himself with oddballs, sycophants, and drug addicts. The eager girl briefly becomes Warhol's favorite and the center of the city's attention, but when she falls into an affair with 'The Musician' (the only slightly ambiguous depiction of a certain nasal-voiced rock star, played by Hayden Christensen, Shattered Glass), Warhol is stricken with jealousy. Factory Girl wants to paint Warhol as the villain in this story of innocence corrupted, but the casting undercuts the movie's moral. Miller, though pretty and capable, never takes us under Sedgwick's skin, and Christensen's performance is one-note and clumsy. But Pearce's Warhol fascinates; it's a sneaky, stealthy performance, predatory yet passive, hiding a million neuroses beneath a cunningly vapid facade. Whenever Pearce is on-screen, Factory Girl sparkles; when he's not--despite abundant views of Miller's and Christensen's attractive naked flesh in the "uncut unrated" vers! ion--the movie loses its fizz. Also featuring Mena Suvari (! American Beauty), Jimmy Fallon (Fever Pitch), and Illeana Douglas (Grace of My Heart). --Bret Fetzer

Girl on the Bridge

The Vampire's Assistant (Cirque du Freak, Book 2)

  • ISBN13: 9780316606844
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Welcome to the Cirque Du Freak, a traveling sideshow filled with magical creatures, misunderstood freaks, and the mysterious vampire, Larten Crepsley (John C. Reilly). Drawn to the dark, unpredictable world of the Cirque, 16-year-old Darren (Chris Massoglia) decides to trade in his ordinary life for a chance to become an immortal vampire. As Darren explores his newfound powers and faces unexpected enemies, he’ll find that his existence as a member of the undead is filled with more challenges, suspense and fun than he ever thought possible. Based on the best-selling book series and co-starring Salma Hayek, Josh Hutcherson, Ken Watanabe, and Willem Dafoe, it’s a fast-paced, suspenseful journey criti! cs call, “Imaginative!” (Peter Hall, Cinematical.com)Adapted from Darren O'Shaughnessy's book series the Saga of Darren Shan, Cirque du Freak: A Vampire's Assistant is an endearingly goofy teen-vampire tale reminiscent of The Goonies or Lost Boys. Like those kids' horror classics, Cirque du Freak is a coming-of-age tale in which maturity is hastened by horrific discoveries of alternate realms. Best friends Darren Shan (Chris Massoglia) and Steve (Josh Hutcherson) embark on a life-changing career path as monster prodigies after attending a taboo freak show starring various mutants and Madame Octa, a fluffy, neon orange, Muppetlike spider that Darren is irrevocably compelled to kidnap. Darren's petty theft results in the boys' introductions into the dualistic realm of good vampires, including the paternal Larten Crepsley (John C. Reilly), and less-generous bloodsuckers such as Murlaugh (Ray Stevenson) and his Vampaneze family. Part of the fun i! s in learning how vampires are defined in this world; for exam! ple, the y can't turn into bats but they have magic spit. The film's additional appeal is in its clever teen-vampire cultural nods, such as when Darren plays his Gameboy inside his coffin. The actual circus, too, offers a wide array of fun, spooky characters, such as ringleader Mr. Tall (Ken Watanabe) and Darren's scaly buddy Snakeboy (Patrick Fugit). Cirque du Freak: A Vampire's Assistant has tough moments, too, once the boys realize they can't look back. These moments transform Cirque du Freak: A Vampire's Assistant into a film parents may even be charmed by. --Trinie DaltonDarren Shan was just an ordinary schoolboy until his visit to the Cirque Du Freak. Now, as he struggles with his new life as a Vampire's Assistant, he tries desperately to resist the one temptation that sickens him, the one thing that can keep him alive. But destiny is calling. The Wolf Man is waiting.What if you were an unwilling vampire? You needed to drink human blood to stay alive, but! you weren't some horror-flick villain; you were you, born human--a nice person, even. Thus is the dilemma of the young narrator-protagonist, Darren Shan, in this tremendously suspenseful, oft-sickening sequel to Cirque Du Freak: The Saga of Darren Shan. In the first book, Darren becomes a vampire's assistant to save the life of his friend Steve. In order to do so, he has to fake his death, get buried alive, and head out--half-human, homeless, and friendless--into the world. The Vampire's Assistant chronicles his new lonely life as a half-vampire, pumped with the cursed blood of his vampire guardian, Mr. Crepsley. Darren has much to learn about his freshly supernatural state. He doesn't grow fangs, for instance, like he thought he might. And he can't change shape or fly. Garlic just gives vampires bad breath... And they eat bagels. Some of the hardest lessons of all come when he joins the traveling freak show Cirque Du Freak, t! he show that got him and Steve in trouble in the first place! . Reader s won't be disappointed by this fast-paced, gory, but strangely amiable sequel. In fact, the plot is much better paced than the first and the dialogue far more natural. Deadly pythons, a snake boy, Cormac Limbs (bite off his finger and it grows back!), and an entire cast of dreadfully creepy characters offer excitement beyond expectation. Along the way, we come to really like Darren, who will do absolutely anything for a friend. British author Darren Shan promises more adventures in 2002. (Ages 10 and older) --Karin Snelson

Hotel Atlantico - Movie Poster - 27 x 40 Inch (69 x 102 cm)

Bra Boys

Forbidden Lie$

Tuesday, November 22, 2011

The Deep End of the Ocean

  • Michelle Pfeiffer, Whoopi Goldberg, High School Reunion, Treat Williams, Jonathan Jackson, Cory Buck
A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you arou! nd." --Newsweek

"A drama with the tension of a thriller that moves deeply into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a j! ournalist and compassion of someone who has seemingly been th! ere. Int ernational publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old B! en Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to en! dure, even against extraordinary odds. Filled with compassion,! humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Elmer Bernstein's moody piano complemented by an alternately somber and lighthearted symphony is the musical equivalent to boilerplate. So many scores contain these same properties that one is tempted to overlook the beautiful orchestration and just fault the composer for being too unoriginal. In keeping with the film's story of family dysfunction and an abducted child, Bernstein uses his instruments to stress what he calls "childhood memories," accented by a competent fusion of harps, bells, and often skip-happy arrangements intended to be unobtrusive. A departure from the humdrum side of soundtrack art it is not, but Bernstein deserves kudos for opting for traditional instruments (instead of a synthesizer) to complement this sensitive story of the "delicate balance" in human relationships. --Joseph LanzaBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery w! hile at the same time not being too flaccid or understated. Fo! r the mo st part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry RenshawDEEP END OF THE OCEAN - DVD MovieBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological ! parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a! stretch, but she makes it work. All in all, a decent three-ha! nky movi e in the vein of Ordinary People. --Jerry Renshaw